Sebastian Weise (*1983 in Dresden) studied visual arts and film in Berlin and Vienna.
In his works, which always refer to space, he uses film, video art and performance as contrasting foils. The relationship between supposedly objective history and subjectively experienced stories is negotiated, as is the relationship between public and private space. In doing so, he uses forms of experimental video essay to narrate in a fragmentary, erratic, and tongue-in-cheek manner.
Since 2018, Sebastian Weise's work has been continuously exhibited in art institutions, project spaces and at festivals, such as the Marburger Kunstverein (2022), the Kunstbibliothek der Staatlichen Museen zu Berlin (2021), Kühlhaus Berlin (2021), Galerie Parterre (2021), Bar Babette (2018) or at the European Media Art Festival (2018 and 2019).
Sebastian Weise received the Mart Stam Prize (2020) as well as the Deutschlandstipendium (2017) and recently the Neustart Kultur grant from the Stiftung Kunstfond (2022).
He also worked for "deutsche wohnen (was singen die diven)" together with Ulf Aminde (Kunst im Stadtraum am Hansaplatz, 2019) and was an artistic associate in the project "Various Answers: language, knowledge, narration" at the Brücke Museum Berlin in 2021 and 2022.
Monitoring: Absolutely Killing It – 39. Kasseler Dokumentarfilm- und Videofest, Kulturbahhof Kassel, 2022
Mixed Match - Großer Wasserspeicher Berlin, 2022
Weißensee! – Marburger Kunstverein, 2021
Dear Reader – Kunstbibliothek, Staatliche Museen zu Berlin, 2021
Ipso Facto – Kühlhaus Berlin, 2021
Every Bone and Muscle – Bar Babette, Berlin, 2019
EMAF#32 – European Media Art Festival Osnabrück, 2019
EMAF#31 – European Media Art Festival Osnabrück, 2018
Grants / Awards
2022 – Scholarship Stiftung Kunstfonds, Bonn
2020 – Mart Stam Prize, Berlin
2017 – Deutschlandstipendium
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